\n\n
ORE 19.00 \/ PROIEZIONI<\/b><\/p>\n
Alberto Baroni<\/b>, La Force, 2022 (8′)<\/small>
\nFrancesco Dongiovanni<\/b>, La Vipera, la Donna e il Campo, 2022 (28′)<\/small>
\nLuana Giardino<\/b>, Rumore, 2022 (7’21”)<\/small>
\nIlaria Pezone<\/b>, Ritratto temporale I \u2013 Maurizio, 2021 (15′)<\/small><\/p>\n
\n
a seguire<\/b><\/p>\n
Bruno Di Marino<\/b> conversa con gli artisti presenti<\/p>\n
\nMADE IN POLAND<\/h1>\n
\n
in loop<\/b><\/p>\n
Natalia LL<\/b>, Consumer Art, 1972-1975 (16’01\u201d)<\/small><\/p>\n
\n
ORE 21.00 \/ PROIEZIONI<\/b><\/p>\n
Barbara Pazio<\/b>, The Farewell, 2022 (5′)<\/small>
\nKinga Michalska and Jadis Dumas<\/b>, Pastoral Fuck, 2017 (6\u201916\u201d)<\/small>
\nLiliana Zeic (Piskorska)<\/b>, Cannibalist scenes \u2013 Daisies, 2015 (4’12\u201d)<\/small>
\nMonika Misztal<\/b>, To Clean Oneself, 2011 (4’03\u201d)<\/small>
\nMilena Korolczuk<\/b>, Bialystokness, 2010 (4’54\u201d) <\/small>
\nAneta Grzeszykowska<\/b>, Bolimorfia, 2008 (7’21\u201d)<\/small>
\nZuzanna Janin<\/b>, Fight, 2001 (9’07\u201d)<\/small>
\nAlicja \u017bebrowska<\/b>, The Mystery is looking, 1995 (1’50\u201d)<\/small><\/p>\n
\n
ORE 22.00 \/ PERFORMANCE<\/b><\/p>\n
Sad Women (Iza Robakowska, Joanna Szumacher)<\/b>
\nPerformance audiovisiva inedita con film di Ewa Partum<\/b>
\n1973-2022 (20′)<\/small><\/p>\n
\n
a seguire<\/b><\/p>\n
Marta Miaskowska<\/b> conversa con le artiste presenti<\/p>\n
\n
Alberto Baroni<\/b> (Brescia, 1986), dopo la laurea magistrale conseguita all\u2019Universit\u00e0 degli Studi di Milano con una tesi su Fury di Fritz Lang, inizia a lavorare come filmmaker indipendente. Realizza documentari, web-doc, corporate e spot ricoprendo i ruoli di regista, operatore, montatore e colorist. Collabora con il C.T.U. (Centro Televisivo Universitario) dell\u2019Universit\u00e0 degli Studi di Milano, contribuendo alla realizzazione di documentari e spot per l\u2019Ateneo. Nel 2015 dirige il suo primo cortometraggio, Impero, e nel 2017 presenta a Filmmaker Festival il cortometraggio in lingua inventata Carro. Nel
\n2018 Carro vince il premio per la Miglior Fotografia a Valdarnocinema Film Festival. Nello stesso anno, il cortometraggio Efeso viene presentato in numerosi festival nazionali e internazionali, e nel 2019 vince il premio per il Miglior Film al Brianza Film Corto Festival. LE \u2013 TOI \u2013 ILE partecipa in competizione a Filmmaker Festival nel 2019 e vince il premio Best Sound Design all\u2019Hermetic International Film Festival. Dal 2018 scrive per la rivista di cinema online Gli Spietati.<\/p>\n
\n
Francesco Dongiovanni<\/b> (Bari, 1978) vive e lavora in Puglia. Con i suoi film ha affrontato tematiche riguardanti l\u2019etnografia, il paesaggio, l\u2019archivio, la memoria, partecipando a numerosi festival nazionali e internazionali. Lavora per la casa di produzione Murex, da lui fondata con i suoi collaboratori. Film precedenti: Densamente spopolata \u00e8 la felicit\u00e0 (2011), Elegie dall\u2019inizio del mondo – Uomini e alberi (2013), Giano (2014), Anapeson (2015), Studio (2016), The riddle (2017), Non si sazia l\u2019occhio (2020) e il lungometraggio I giorni e le opere (2019).<\/p>\n
\n
Luana Giardino<\/b> Laureata in Pittura presso l\u2019Accademia di Belle Arti di Brera, mi sono avvicinata al linguaggio audiovisivo sperimentando video installazioni e corti. Ho successivamente frequentato il corso di Documentario alla Scuola Civica di Cinema Luchino Visconti conseguendo l\u2019attestato di filmmaker. Da ottobre 2020 sto concludendo il percorso accademico con una specialistica in Cinema e Video. Videomaker di riferimento per diverse compagnie teatrali, associazioni e artisti. <\/p>\n
\n
Ilaria Pezone<\/b> (Lecco, 1986) \u00e8 docente di presso l’Accademia di Bologna e si \u00e8 laureata all\u2019Accademia di Brera frequentando la specialistica in Cinema e Video. Si forma come montatore audiovisivo. Dal 2010 ha in attivo collaborazioni come operatore e montatore audio-video nella realizzazione di documentari. \u00c8 autrice del volume \u201cCinema di prossimit\u00e0 \u2013 privato, amatoriale, sperimentale e d\u2019artista\u201d, Falsopiano 2018.<\/p>\n
\n
Aneta Grzeszykowska<\/b> – (b. 1974, Warsaw, PL) photographs and video use dark, probing humor to explore sexuality, feminism, and the construction (and violent erasure) of the self. Over the past two decades, Grzeszykowska has used performance, photography, sculpture, and video to investigate the multiplicities of the self, the history of feminism and the phenomenology of her respective mediums. Grzeszykowska\u2019s art draws her into the arena of Donna Harraway\u2019s woman-cyborg. In breaking with the old, outdated schema, faded frames and post-romantic, patriarchal phantasms, she retains an unpredictability and hybridity that lies beyond the confines of the dual-channel possibilities of identity, connecting that which is human with what is technical, the organic with the synthetic, male and female, alluring and repugnant, and, particularly in the case of her latest works, the artistic and the non-artistic.<\/p>\n
\n
Zuzanna Janin<\/b> – author of sculptures, installations, videos, photography, actions and performatives. Born 1961, lives and works in Warsaw. Studied at Academy of Fine Art in Warsaw, ECAV – Ecole Cantonale d’Art du Valais, Sierre (new media) scholarship by Pro Helvetia). In 2016 she got PhD at Uniwersytet Artystyczny Pozna\u0144. She was awarded The Best Artists at ArtVilnius’16 for her solo exhibition at the correlated show programme. Working with lokal_30 Gallery, Warszawa (PL). Artist took a part i.e. in Sydney Biennial 1992, Istanbul Biennial 1992, Soonsbeek\u201993, Liverpool Biennial 1996, Lodz Biennale 2010, 54th Venice Art Biennale 2011 (Romanian presentation). Parallely to her sculpture\u2019 installation artist works on her video and performance projects. Janin incarnates into the figures and situations and explores the experiences making a quasi-documentation video out of it. Her video FIGHT in 2001 shows a never-ending boxing match of artist fighting with a heavy weight box champion. http:\/\/zuzannajanin.blogspot.com<\/a><\/p>\n Marta Miaskowska<\/b> \u2013 multimedia artist, PhD in Fine Arts, from 2018 permanently associated with the Lodz University of Technology where she runs the Studio of Multimedia Activities at the Department of Visual Communication. She was a guest teacher at other art academies and universities in Poland, Spain, Bangladesh, Portugal, Norway, Turkey and Italy. Author of the book Social Net Art, she publishes texts in the field of new media art in scientific journals. Leader and implementer of national and international projects in the field of artistic education. Awarded in art and film competitions. She is a scholarship holder of the Kulczyk Family Chapter and the Department of Culture of the Marshal of the Wielkopolska Region. She participates in exhibitions and shows in Poland and abroad. She made multimedia visualizations for various theaters in Poland. For many years associated with the media and film production market. Milena Korolczuk<\/b> – received her MFA from the American Film Institute in Screenwriting in 2018 and has an MFA from the Academy of Arts in Poznan, Poland. Her paintings, sculptures, photography, and videos have been featured in solo exhibitions in prominent galleries in Poland and internationally recognized at Polish Art Now in Slovakia, Art Fair Basel in Switzerland, and Nada in Miami. An experienced painter, sculptor, and photographer, she showcased her artworks around the world and was recognized by the likes of Fast Company and Guardian. In her writing for film and television, Milena combines her visual-art sensibility with her interest in ‘outsider’ figures.<\/p>\n Natalia LL<\/b> (1937-2022) – In 1963, she received her diploma from the State High School of Arts in Wroc\u0142aw (currently the Academy of Fine Arts), where she studied under the supervision of Professor Stanis\u0142aw Dawski. One year later she became a member of ZPAF, the Polish Art Photographers\u2019 Association. From 1970 to 1981 she ran, together with Andrzej Lachowicz, Zbigniew D\u0142ubak and Antoni Dzieduszycki, the PERMAFO Gallery, staging exhibitions and designing publications. Their activities largely contributed to the development of neo-avant-garde tendencies in Poland. Together with Andrzej Will and Andrzej Lachowicz, she organized the International Drawing Triennial, acting as its curator and vice-president. In 1975, she joined the international feminist movement, participating in numerous symposiums and shows. In 1977, she went to New York as a Ko\u015bciuszko Foundation grantee. In May 2007, she was awarded the Silver Medal for Merit to Culture \u2013 Gloria Artis, in 2013 she received the Katarzyna Kobro Award, given by artists to artists and in 2018 she get the Rosa Schapire Art Prize. From 2004 to 2013 she worked as a senior lecturer at the Academy of Fine Arts in Pozna\u0144 (currently University of the Arts Pozna\u0144). Her works are classified as conceptual art, photo art or body art. She works in painting, sculpture, installation, photography, video, performance and drawing.<\/p>\n Kinga Michalska and Jadis Dumas <\/b> Kinga and Jadis are political documentary filmmakers by day and experimental queer faeries by night. Kinga grew up in Poland, Jadis in the capital of Canada, Odawa. They met in Montreal\/Tio’tia:ke and couldn\u2019t stop laughing together ever since. It was friendship from the first sight. http:\/\/kingamichalska.com<\/a> <\/p>\n Monika Misztal<\/b> Born 1986 in Ostrowiec \u015awi\u0119tokrzyski, Poland. Lives and works in Crakow.\u00a0Currently a student of Faculty of Painting in Prof. Andzej\u00a0Bednarczyk and inertmedia\u00a0Grzegorz\u00a0Sztwiertnia and Zbigniew Sa\u0142aj class. Jan Matejko Academy of Fine Arts in Krakow, Poland. Ewa Partum<\/b> – (born 1945,\u00a0Grodzisk Mazowiecki\u00a0near\u00a0Warsaw, Poland) is a poetry artist, performance artist, filmmaker, mail artist, and conceptual artist. Partum engages in linguistic and performative play in an attempt to discover new artistic language. This search for a “new language” is rooted in her belief that painting has exhausted its potential to generate new or transformative ideas. Partum’s work also is motivated by touching on issues such as the notion of public space, the situation of women, female subjectivity and the political context of the 1980s. Partum’s work explores issues of female identity, including the gender bias of the art world. At the beginning of the 1970s, while the amount of artist run institutions increased, there was also a development of a new paradigm that perpetuated the dominant, institutionalized model of art, which Partum considered confining. In interviews, she speaks about the difficulties and discrimination that she has faced as a female performance artist. This bias inspired her decision to perform naked in many pieces. At one point, Partum declared she would perform naked until women in the art world obtained equal rights. (sours: wikipedia) <\/p>\n Barbara Pazio<\/b> – is a visual artist based in Warsaw. Currently, she is still studying at the Academy of Fine Arts in the department of media art. Her works often touch upon the issues of identity, memories and trauma. In her work, the artist creates through focusing on individual experience of the world and trauma, which in the final stage reveal a universal theme. Her bachelor thesis received an honorable mention at the Academy of Fine Arts and was shown at Bia\u0142ostocka 22 in Warsaw (2022). Barbara Pazio also dealt with the subject of boundaries, borders and had an international exhibition in Prague, Czech Republic called P\u0159ehl\u00eddka Pokoje (2022). She co-created an exhibition called Biennale Nieu\u017cytk\u00f3w, which provided a breath of new life to unused spaces in Warsaw. The piece was later shown in Warsaw architecture pavilion Zodiac (2022). Her work is focused on interactivity. Rather than engaging the viewer, Pazio\u2019s art poses as a call to action.<\/p>\n Sad Women (Iza Robakowska and Joanna Szumacher)<\/b> – \u201cWe are sad and we are not afraid to use it.\u201d – Electronic, action, folk and noise duo created in 2014 in Lodz. The work of Sad Women consists of distortion, noise, glitch, fields recordings and grows out of the Weltschmerz concept, digital nostalgia and feminism. Technology often used contrary to its purpose serves to protect a vulnerable body. The field of activity is the art history, contemporary culture and everyday life focused on keeping alive. Liliana Zeic (Piskorska)<\/b> – born in 1988, visual artist, queer feminist, PhD in fine arts. Alicja \u017bebrowska<\/b> – born in Zakopane in 1956. Creates graphics, sculptures, art objects, installations, photographs, art campaigns, videos, video installations and projections. Her early works were anthropomorphic sculptures-assemblages and neon signs. In the first half of the 1990s, \u017bebrowska also started creating video installations in which she combined visual, sound and smell elements, trying to recreate the mood and feelings accompanying various activities. In her work, the artist intensively explores taboo areas. She lives and works in Krak\u00f3w.<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" 28 dicembre 2022 MADE IN ITALY ORE 19.00 \/ PROIEZIONI Alberto Baroni, La Force, 2022 (8′) Francesco Dongiovanni, La Vipera, la Donna e il Campo, 2022 (28′) Luana Giardino, Rumore, 2022 (7’21”) Ilaria Pezone, Ritratto temporale I \u2013 Maurizio, 2021 (15′) a seguire Bruno Di Marino conversa con gli artisti presenti MADE IN POLAND in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-209","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.avvistamenti.it\/2022\/wp-json\/wp\/v2\/pages\/209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.avvistamenti.it\/2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.avvistamenti.it\/2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.avvistamenti.it\/2022\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.avvistamenti.it\/2022\/wp-json\/wp\/v2\/comments?post=209"}],"version-history":[{"count":16,"href":"https:\/\/www.avvistamenti.it\/2022\/wp-json\/wp\/v2\/pages\/209\/revisions"}],"predecessor-version":[{"id":294,"href":"https:\/\/www.avvistamenti.it\/2022\/wp-json\/wp\/v2\/pages\/209\/revisions\/294"}],"wp:attachment":[{"href":"https:\/\/www.avvistamenti.it\/2022\/wp-json\/wp\/v2\/media?parent=209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n
\nwww.martamiaskowska.com<\/a><\/p>\n
\n
\n
\n
\n
\n\u00a0
\nSelected group exhibitions:
\n2011- Participant festival, Group exhibition\u00a0Imaginary-Landscapes\u00a0\u00a0 Saxon\u00a0Switzerland
\n2011- Biennale participant\u00a0Wro Arternative Now \u2013Wroc\u0142aw Poland
\n2011- Group exhibition\u00a0INTERDYSCYPLINUM MOBILE\u00a0BWA Ostrowiec \u015awi\u0119tokrzyski
\n2011- Participant festivals and\u00a0group exhibition ,,\u00a0viewpoint\u2019\u2019 gallery Manhatan \u0141\u00f3dz Poland
\n2011-\u00a0Group exhibition- Pani Walewska Zbiornik Kultury Cracow Poland
\n2011-\u00a0Exhibition -ART- und beziehungsWEISE\u201c- eine polnisch-deutsche Studentenbegegnung\u201c Landes Muzeum\u00a0 in Bonn .Germany
\n2011- Students e exhibition-\u00a0\u00a0Kunsttagen K\u00f6nigswinter Kunstforum Palastweiher Germany
\n2010-video show Medjacje\u2019\u2019 Gallery Szara Cieszyn.Poland
\n2010\u00a0– video show Szajna Festival \u2018\u2019 Rzesz\u00f3w Poland
\n2010 –\u00a0festival Group exhibition\u00a0\u00a0\u00a0Participant,Stara rze\u017cnia Pozna\u0144.Poland
\n2010 –\u00a0festival exhibition Ho\u017ca Ho\u017carty\u00a0\u00a0Warsaw .Poland\u00a0\u00a0\u00a0
\n2010- video show ,Zbiornik Kultury\u2019\u2019 Club Fabryka Cracow\u2026Poland
\n2009 – Art fairs.LA BLADERIE DA la art. Ruboix .France
\n2009 – You Can\u2019t See The Wood For The Trees\u201d Technika Club, Ostrowiec\u00a0\u015awi\u0119tokrzyski,\u00a02009
\n2009 – 2008 – Art fairsGroup exhibition,\u00a0Master and pupils, Tarnowskie G\u00f3ry, Poland.\u00a0
\n2009 – Group exhibition,\u00a0306, Floria\u0144ska 22, Cracow. Poland
\n\u00a0
\nAward:
\n2011-Third\u00a0place in the\u00a0international\u00a0competition for\u00a0a movie.Radom .Poland
\n2011-2010 Scholarship in Alanus chochshule\u00a0organized by the\u00a0Consulate\u00a0General in\u00a0Koln
\nand the\u00a0relationship\u00a0LVR Germany
\n2010 till present – Higher Education Scholarship of the Jan Matejko Academy of Fine Arts in Cracow<\/p>\n
\n
\n
\n
\nhttps:\/\/smutnekobiety.wordpress.com<\/a><\/p>\n
\n
\nIn her artistic practice, she analyses social issues from the feminist-queer perspective, deals with the topics of queerness and non-heteronormativity, and draws on her experiences of being brought up in the region of Central\/Eastern Europe. She works with video, photography, object and text, creating intermedia and performative research-based projects. She is a finalist of the Forecast Forum in Haus der Kulturen der Welt in Berlin in 2017 and the Audience Award Winner: Views 2019 in Zach\u0119ta National Gallery of Art. She has taken part in over 130 individual and group exhibitions in Poland and abroad. Her works are part of private and public collections (incl. Zach\u0119ta National Gallery of Art, Wroc\u0142aw Contemporary Museum, Municipal Gallery Arsenal). Based in Poland. She creates under the name Zeic since February 2021.
\nhttp:\/\/lilianapiskorska.com<\/a><\/p>\n
\n
\n27 DICEMBRE<\/a><\/h3>\n
28 DICEMBRE<\/a><\/h3>\n
29 DICEMBRE<\/a><\/h3>\n
30 DICEMBRE<\/a><\/h3>\n